ABOUT THE COMPETITION

  • The Be Red Ribbon Inspired artwork competition is an exciting chance for aspiring artists and designers to gain exposure and have their work judged by Sir Antony Gormley and Sandy Nairne CBE
     
  • We want you to be inspired by the red ribbon, the international symbol of HIV and AIDS, to create something unique and engaging 
     
  • The winner will receive £500, be commissioned by Paintings in Hospitals, and appear on our exclusive World AIDS Day tote bag
     
  • Artwork can be submitted in any format that can be displayed in a still image. We want to see as many different types of art as possible from pencil to paint and digital to sculpture and all that's in between
     
  • Submissions that uniquely incorporate the red ribbon and represent an aspect of our work are encouraged
     
  • The competition is open from 31 July 2020 to 31 August 2020

#BeRedRibbonInspired

How to enter

Please send your entry along with your name, contact telephone number and details of the art materials used to art@nat.org.uk

Entry to the competition is free, but there is a suggested donation of £10 to help support our work. You can donate here

Please read the full terms and conditions before entering. Sending an entry via email will be considered acceptance of the terms and conditions

The Prizes.

  • First prize: Your artwork will be commissioned by Paintings in Hospitals to join their collection with prize money of £500. The design will feature on National AIDS Trust's exclusive World AIDS Day tote bag. 
  • 1st runner-up: a £100 voucher from Surface View wall art
  • 2nd runner-up: a paint and wine art night for 2 from PopUp Painting 

The judges

Sir Antony Gormley is a British sculptor. His works include the Angel of the North, a public sculpture in Gateshead in the North of England, commissioned in 1994 and erected in February 1998; Another Place on Crosby Beach near Liverpool; and Event Horizon, a multi-part site installation which premiered in London in 2007, around Madison Square in New York City, in 2010, in São Paulo, Brazil, in 2012, and in Hong Kong in 2015–16.

In 2008 The Daily Telegraph ranked Gormley number 4 in their list of the "100 most powerful people in British culture".

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License

Deborah Gold is Chief Executive at National AIDS Trust having joined in 2014. 

Deborah has had a career working in the voluntary sector on social justice issues including homelessness, homophobic hate crime and domestic and sexual abuse.

Sandy Nairne CBE FSA is a writer and curator based in London, and until 2015 was Director of the National Portrait Gallery. He has previously worked at the Institute of Contemporary Arts, the Arts Council and as one of two deputy directors at Tate.

His publications include State of the Art, 1987, the anthology Thinking about Exhibitions, 1996, and more recently The 21st Century Portrait and Art Theft and the Case of the Stolen Turners, 2011.

He chaired the National Museum Directors’ Conference Working Group on Cultural Diversity, and is currently Chair of the Fabric Advisory Committee at St Paul’s Cathedral and the Art Advisory Group for Maggie’s Cancer Care Centres. He is a Trustee of the Courtauld Collection, and the National Trust, and a member of the Bank of England Banknote Character Advisory Committee.

THE JUDGING PROCESS

  • After the closing date of 31 August 2020, all eligible entries will be shortlisted by a first-round judging panel at National AIDS Trust

  • Shortlisted entries will then be sent to the final judging panel of Sir Antony Gormley, Sandy Nairne CBE and Deborah Gold, Chief Executive at National AIDS Trust. Finalists will be notified on Thursday 3rd September
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  • Finalists will be invited to a Zoom call with the judging panel on the afternoon of Monday 7th September. Attendance is not compulsory but if finalists can attend they will get the opportunity to explain their inspiration and artwork to the judges

  • The winner will be announced on Tuesday 8th September

About the red ribbon

In 1991, a decade after the emergence of HIV, twelve artists gathered in a gallery in New York’s East Village. They had met to discuss a new project for Visual AIDS, a New York HIV-awareness arts organisation.

It was there that they came up with what would become one of the most recognised symbols of the decade: the red ribbon, worn to signify awareness and support for people living with HIV.

At the time, HIV was highly stigmatised, and the suffering of communities living with HIV remained largely hidden. The artists wanted to create a visual expression of compassion for people living with HIV.

They took inspiration from the yellow ribbons tied on trees to show support for the US military fighting in the Gulf War. Additionally, they decided that the elegant loop of the ribbon shape was easy to make and replicate. They avoided traditional colours associated with the gay community, such as pink and rainbow stripes, because they wanted to convey that HIV was relevant to everyone. They chose red for its boldness, and for its symbolic associations with passion, the heart and love.

In the early days, the artists made the ribbons themselves and distributed them around New York art galleries and theatres. Initially, they included some text to explain the ribbon’s significance, but as the ribbon became more famous, this was no longer needed.

Within weeks, the red ribbon could be seen in such high-profile places as the red carpet of the Oscars. The media took notice and, within a short space of time, the symbol became universally recognised. At the Freddie Mercury Tribute Concert, held at London’s Wembley Stadium on Easter Sunday, 1992, more than 100,000 red ribbons were distributed among the audience, with performers such as George Michael wearing one.

The red ribbon continues to be a powerful force in the efforts to increase public awareness of HIV. It has inspired other charities to utilise the symbol, such as the pink breast cancer awareness ribbon.

Photo credits